Partner Article
Tesco finest launch Valentine’s Day meal shot by Parker Williams
Brand design agency Parker Williams has created Valentine’s Day packaging for Tesco’s finest range of A La Carte Ready Meals. The range was available in the lead-up to Valentine’s Day, consisting of a three-course meal and a choice of prosecco, wine or chocolates.
The finest A La Carte Meal Deal, costing £20, offered customers the option between different mains and desserts, a unique benefit not offered by any other retailers. Using a combination of transparent windows and mouth-watering photography, Parker Williams’ packaging showcased the exceptional quality of the food and value of the offer.
Parker Williams also focussed on creating a strong visual identity across the selection and promoting easy navigation by course.
Jo Saker, creative director at Parker Williams, said: “Product and packaging should always work together. With our design for Tesco’s finest Valentine’s Day ready meals we really wanted customers to see what they were buying. Working on such a stellar range of meals we couldn’t resist letting the food speak for itself.”
A Tesco representative, said: “The finest range is a crucial part of our ready meal offering, so along with providing a delicious and affordable Valentine’s day, we wanted the packaging to be of the highest quality too.”
This was posted in Bdaily's Members' News section by Alex Sampson .
Enjoy the read? Get Bdaily delivered.
Sign up to receive our popular morning National email for free.
Why investors are still backing the North East
Time to stop risking Britain’s family businesses
A year of growth, collaboration and impact
2000 reasons for North East business positivity
How to make your growth strategy deliver in 2026
Powering a new wave of regional screen indies
A new year and a new outlook for property scene
Zero per cent - but maximum brand exposure
We don’t talk about money stress enough
A year of resilience, growth and collaboration
Apprenticeships: Lower standards risk safety
Keeping it reel: Creating video in an authenticity era